Gerry Besson has worn many hats in an extensive career straddling media, advertising, local and Caribbean history. I suspect that the man who lives in a house called Tall Stories in the Cascade hills, will be more than a little pleased with his latest venture, a novella The Voice in the Govi, which, better late than never, places him in the ranks of fiction writers, writes Simon Lee in this review in Trinidad’s Guardian.
Finally Besson’s predilection for weaving never-ending extempo tales, synthesising his store of oral histories, family anecdotage and gems of recondite local history, has found its way onto the page.
The result is a combination of a “ripping good yarn” (in its literal sense, as several unfortunate characters in the book lose their skins to a ferocious soucouyant), one of the best tales of the supernatural produced in the Anglophone Caribbean since Mittelholzer’s My Bones and My Flute and a sepia-tinted narrative crammed with historical personages, exuberant baroque detail and irreverent humour.
In terms of historicity Besson must be congratulated for highlighting the links between Trinidad and Haiti, which only Bridget Brereton has paid any attention to previously.
A long-time student and aficionado of Afro- French Creole culture, Besson not only provides well-researched biographical detail on figures like the Counts de Lopinot and Montalambert, but more significantly for his supernatural purposes, some new insights and suggestions on the connections between Haitian Vodou and Trinidadian Shango and Orisha worship.
We know that poisoning was a strategy of resistance employed by slaves in Saint Domingue and Trinidad, and that zombification requires the same kind of specialised knowledge; so it’s eminently possible that even in postmodern Trinidad, zombis may be plying their melancholy trade!
The Voice of the Govi belongs to the genre of oraliture or orality, popularised by the Martiniquan Creolist writers Patrick Chamoiseau and Rafael Confiant, both of whose work can be viewed as a project to record a rapidly disappearing oral tradition. Besson chooses as his narrator his mother, who tells the story from the perspective of a young girl, fascinated by the tales of an elderly aunt, who occupies a room in her Belmont family home.
Read full article @ http://repeatingislands.com/2011/12/23/the-voice-of-the-govi-resurrecting-the-soucouyant/